“The feelings that hurt most, the emotions that sting most, are those that are absurd - The longing for impossible things, precisely because they are impossible; nostalgia for what never was; the desire for what could have been; regret over not being someone else; dissatisfaction with the world’s existence. All these half-tones of the soul’s consciousness create in us a painful landscape, an eternal sunset of what we are.”
– Fernando Pessoa (via alanarene)

(via 1000reasonsnottostartmakingart)

“The thing is, it’s patriarchy that says men are stupid and monolithic and unchanging and incapable. It’s patriarchy that says men have animalistic instincts and just can’t stop themselves from harassing and assaulting. It’s patriarchy that says men can only be attracted by certain qualities, can only have particular kinds of responses, can only experience the world in narrow ways. Feminism holds that men are capable of more – are more than that.”
“Remember one very important thing: Your ennui of twenty, is your ennui of twen­ty. You will have various other and complicated ennuis before you die. I tell you this, who have been through the ennui of sixteen as well as the ennui of twenty; and the boredom, and the blaseness, and utter wretchedness of the ennui of twenty-five, and of thirty. And I yet live, am growing fat, am very happy, and laugh a large portion of my wak­ing hours. You see, the disease has progressed so much further with me than with you that I, as a battle-scarred survivor of the disease, look upon your symptoms as merely the preliminary adolescent symptoms. Again, let me tell you that I know them, that I had them, and just as I had much worse afterward of the same sort, so much worse is in store for you. In the meantime, if you want to succeed at a well-paid game, prepare yourself to do the work.”
– Jack London to Max Fedder (via The Hairpin)
“Male fantasies, male fantasies, is everything run by male fantasies? Up on a pedestal or down on your knees, it’s all a male fantasy: that you’re strong enough to take what they dish out, or else too weak to do anything about it. Even pretending you aren’t catering to male fantasies is a male fantasy: pretending you’re unseen, pretending you have a life of your own, that you can wash your feet and comb your hair unconscious of the ever-present watcher peering through the keyhole, peering through the keyhole in your own head, if nowhere else. You are a woman with a man inside watching a woman. You are your own voyeur.”
– Margaret Atwood, The Robber Bride (via helplesslyamazed)

(via awritersruminations)

“I said to the sun, ‘Tell me about the big bang.’ The sun said, ‘it hurts to become.’”
– Andrea Gibson (via lifeincoffeespoons)

(via awritersruminations)

“I was moved by it in the way you are moved when you are looking to be, by whatever. I could just as easily have found Jesus or Libertarianism or the Grateful Dead during that time. I was looking.”
Blue Like You by Karla Cornejo Villavicencio
“Sometimes you suffocate when you think of the past; of a life that never was, flashing up in sepia. Memory which is creamy-yellow, cracked; composed of protogallic acid, protosulphate of iron, potassium cyanide. Let’s not get too technical. Not right now. It makes for too much exposure. Still, in the dark, you remember that in Shanghai they used to wrap tomatoes in tissue paper. Like this story. Like the way everything in history is wrapped in a tissue; of words, of memories, of lies.”
Brian Castro, Shanghai Dancing (via millionsmillions)

(Source: themillions.com, via millionsmillions)

aseaofquotes:

Amy Bloom, Away

aseaofquotes:

Amy Bloom, Away

“The picture suggested that the actuality of life, the actual history of our family, the sum of whatever they knew and had witnessed before we were born or when we were small, was right there; and yet I knew no matter how long I held the picture and stared at it, the paper and chemicals in that photograph would never be able to tell any of it to me. It might as well have never happened.”
Three by Marc Basch in Electric Literature 6
“He seemed for a moment able to look right into her, know her in a way that was uncluttered by actually knowing her. He seemed to have no information or misinformation, only a kind of photography, factless but true.”
Community Life by Lorrie Moore